Leiden - 1669 Amsterdam - school
Style of REMBRANDT VAN RIJN
Oil on canvas. Relined. 172,5 x 118,5cm
Leiden - 1669 Amsterdam - school
Style of REMBRANDT VAN RIJN
Oil on canvas. Relined. 172,5 x 118,5cm
Miles Christianus contra peccata mortalia pugnans coronam recipit.
(The dramatic battle of the Christian knight against the seven deadly sins and death itsel)
Oil on canvas. 159 x 116cm.
Florence 1492 - after 1527 - attributed to Andrea del Sarto
Oil on wood. 73 x 58,5cm
The Virgin and the Child
Copper engraving, watermark: Krüglein on 14,7 x 10,1 cm (measurement of the plate 14 x 9cm). Signed and dated in the plate: AD 1520.
Oil/tempera on oak. Parqueted. 78 x 51cm.
Circle of Bernard van Orley
THE VIRGIN AND CHILD
oil on panel
36.2 by 26.1 cm.; 14 1/4 by 10 1/4 in.
This is one of a number of versions of the composition, the finest of which is a picture formerly in the collection of Friedrich Glück, Budapest, considered by Baldass to be by Van Orley before 1520.1 A workshop version is in the Royal Collection (L. Campbell, The Early Flemish Pictures in the Collection of Her Majesty the Queen, Cambridge 1985, p. 105, no. 66, reproduced plate 78; inv. 1003). Van Orley’s original is in the Prince of Wied collection, Munic. More
Follower of Pieter Coecke van Aelst the Elder
ADORATION OF THE MAGI
oil on panel, shaped top
105.5 by 69.2 cm.; 41 3/8 by 27 1/4 in.
Most probably originally the central panel of a triptych. Bermejo's essay (see Literature) argues for the composition developing out of van Aelst's Adoration of the Magi, now in the Prado (inv. no. 2223), which is itself based on a picture by the artist's father-in-law Jan van Dornicke (circa 1470–1527), now in a private collection, Paris.1 The main differences to the aforementioned pictures are the bringing of all three Magi into the foreground; the direct contact between the kneeling Magi and the Christ child, and the representation of the Virgin without a veil. Bermejo suggests a date of 1533–35. More
Netherlandish School, circa 1515-1520
THE CRUCIFIXION
with possible monogram lower right: AVB
oil on linen, laid on to canvas
181.1 by 114.2 cm.; 71 1/4 by 45 in.
Antwerp School, early 16th century
SAINT VERONICA OFFERS A CLOTH TO CHRIST ON THE WAY TO CALVARY; DESCENT FROM THE CROSS
Quantity: 2
a pair, both oil on marouflaged oak panel, in integral frames
each: 72.5 by 32.1 cm.; 29 1/4 by 12 5/8 in.
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Studio of Albrecht Bouts
LEUVEN 1452/5 - 1549
CHRIST CROWNED WITH THORNS
oil on oak panel, shaped top, unframed
32 by 22.5 cm.; 12 5/8 by 8 7/8 in.
The infrared image shows that the painter originally intended to depict Christ with hands clasped, after the lost prototype by Dirk Bouts known now from copies by Albrecht's workshop.1 But the hands were never painted in. The panel's shaped top is unusual amongst those many copies and was probably changed at a later stage to fit in a frame. More
Bartolo di Fredi
SIENA 1330 (?) - 1410
SAINT ANTHONY ABBOT
tempera on panel, gold ground, a fragment, unframed
38.5 by 33 cm.; 15 1/8 by 13 in.
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Florentine School, mid 14th century
THE CRUCIFIXION, WITH CHRIST IN BENEDICTION IN THE SPANDREL ABOVE
tempera, oil and gold ground on oak panel, with a pointed top and engaged frame
48.8 by 24 cm.; 19 1/4 by 9 1/2 in.
Follower of Giovanni Battista Cima, called Cima da Conegliano
MARY MAGDALEN HOLDING A JAR OF OINTMENT
oil on panel
48.8 by 40.4 cm.; 19 1/4 by 15 7/8 in.
Follower of Giovanni Bellini
THE MADONNA AND CHILD, FLANKED BY SAINT JOHN THE BAPTIST
oil on panel
84.2 by 111.2 cm.; 33 1/8 by 43 3/4 in.
Follower of Tiziano Vecellio, called Titian
HEAD OF CHRIST
oil on canvas
36.8 by 29.5 cm.; 14 1/2 by 11 5/8 in
Manner of Marco Palmezzano
CHRIST CARRYING THE CROSS
Quantity: 2
oil on panel
32.3 by 24.4 cm.; 12 3/4 by 9 5/8 in.
Follower of Vincenzo Foppa
THE ADORATION OF THE MAGI
distemper and pastiglia on linen, in a contemporary carved gilt wood frame
194 by 179 cm.; 76 3/8 by 70 1/2 in.
Workshop of Bartolomé Esteban Murillo
SEVILLE 1618 - 1682
THE VIRGIN AND CHILD WITH THE INFANT SAINT JOHN THE BAPTIST
oil on canvas, unframed
174.6 by 109 cm.; 68 3/4 by 42 7/8 in.
Florentine School, 17th Century
SAINT ANTHONY OF PADUA
oil on canvas
108 by 90 cm.; 42 1/2 by 35 1/2 in.
Giovanni Lanfranco
PARMA 1582 - 1647 ROME
SAINT PRAXEDIS
oil on canvas
114.5 by 90.3 cm.; 45 by 35 1/2 in.
VENICE 1659 - 1714 LONDON
LOT AND HIS DAUGHTERS
signed centre right, on the urn: N: Cassana F.
oil on canvas, unframed
114.1 by 161.3 cm.; 44 7/8 by 63 1/2 in
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HOLY FAMILY WITH THE INFANT SAINT JOHN
oil on canvas
105.4 by 130.8 cm.; 41 1/4 by 51 1/2 in.
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THE MADONNA AND CHILD
oil on panel, oval
58 by 41 cm.; 22 3/4 by 16 1/4 in.
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MADONNA AND CHILD WITH THE INFANT SAINT JOHN THE BAPTIST
oil on copper
28.4 by 21.2 cm.; 11 1/3 by 8 3/8 in.
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THE MADONNA SEWING
oil on copper
24.5 by 19.5 cm.; 9 5/8 by 7 5/8 in.
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FLORENCE 1578 - 1650
THE ARCHANGEL MICHAEL
oil on canvas
64.5 by 51.5 cm.;25 3/8 by 20 1/4 in.
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SAINT ANDREW READING
oil on canvas, unframed
72.5 by 56.7 cm.; 28 1/2 by 22 1/4 in.
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ALESSANDRIA CIRCA 1585 - AFTER 1635
SAINT PAUL
oil on canvas, unframed
103 by 83 cm.; 40 1/2 by 32 3/4 in.
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GENOA 1635 - 1676 VENICE
JOSEPH INTERPRETS THE BAKER'S DREAMS IN PRISON
oil on canvas
124 by 172.8 cm.; 48 3/4 by 68 in.
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THE TEMPTATION OF SAINT ANTHONY
oil on canvas
73.7 by 87.6 cm.; 29 by 34 1/2 in.
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ST PETER DELIVERED BY AN ANGEL
oil on canvas
63.4 by 82.5 cm.; 25 by 32 1/2 in.
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NAPLES 1623 - 1690
THE LAMENTATION
oil on canvas
185 by 277 cm.; 72 3/4 by 109 in.
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CAMOPLI CIRCA 1633 - ROMA 1699
THE REST ON THE FLIGHT INTO EGYPT
inscribed in an old hand on the reverse of the canvas: MOLA
and brushed with inventory number: A.H. 3
oil on canvas
72.5 by 60.5 cm.; 28 1/2 by 23 3/4 in.
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CARAVACA DE LA CRUZ 1798 - 1856 MADRID
MADONNA AND CHILD
signed centre right: Tejeo
oil on canvas, unlined
88.9 by 77.5 cm.; 35 by 30 1/2 in.
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ELIEZER AND REBECCA AT THE WELL
oil on canvas
62.9 by 87.6 cm.; 24 3/4 by 34 1/2 in.
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A TRIPTYCH: CENTRAL PANEL: THE CRUCIFIXION LEFT WING: THE DEPOSITION RIGHT WING: THE RESURRECTION
the frame bears date: 1517
oil on oak panel, the wings in integral frames
painted surface (central panel): 86.7 by 64 cm.; 34 1/8 by 25 1/4 in.
painted surface (wings): 83 by 26.5 cm.; 32 5/8 by 10 3/8 in.
overall (open): 130 by 154 cm.; 51 1/8 by 60 5/8 in.
overall (closed): 130 by 77 cm.; 51 1/8 by 30 1/4 in.
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HAARLEM CIRCA 1420 - 1475 LEUVEN
MATER DOLOROSA
oil on panel
37.5 by 29.4 cm.; 14 3/4 by 11 1/2 in.
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LEIDEN 1460/65 - 1527
THE DEPOSITION
oil on oak panel
46.5 by 32 cm.; 18 1/4 by 12 5/8 in.
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THE FLAGELLATION
oil on pine panel
109.9 by 87.2 cm.; 43 by 34 1/2 in.
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THE VIRGIN AND CHILD ENTHRONED
oil on panel
72.9 by 88.3 cm.; 28 5/8 by 34 3/4 in.
The composition may be based upon the Triptych with Virgin and Child with Saints by the Master of Delft, now in the Rijksmuseum Amsterdam. The style of the architectural background is very close to a series of panels showing female saints by the Master of Alkmaar. More
Workshop of Jacopo da Valenza
ACTIVE IN THE VENETO 1485 - 1509
THE VIRGIN AND CHILD
oil on panel
48.2 by 37.7 cm.; 19 by 14 7/8 in.
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Circle of Domenico Beccafumi
MADONNA AND CHILD WITH SAINT CATHERINE OF SIENA
oil on poplar panel, a tondo, unframed
diameter: 31.8 cm.; 12 1/2 in.
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Italian School, 17th Century
THE MASSACRE OF THE INNOCENTS
oil on panel
42 by 57 cm.; 6 1/2 by 22 3/8 in.
MADONNA AND CHILD WITH SAINT CATHERINE OF SIENA
oil on poplar panel, a tondo, unframed
diameter: 31.8 cm.; 12 1/2 in.
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THE MASSACRE OF THE INNOCENTS
oil on panel
42 by 57 cm.; 6 1/2 by 22 3/8 in.
After a well known design by Raphael. No painting of the composition exists, it was designed to exist only as a print and was engraved by Marcantonio. This composition is thought to be the first of the engravings that Raphael and Marcantnio collaborated on. More
The Massacre of the Innocents is the biblical narrative of infanticide by Herod the Great, the Roman-appointed King of the Jews. According to the Gospel of Matthew, Herod ordered the execution of all young male children in the vicinity of Bethlehem, so as to avoid the loss of his throne to a newborn King of the Jews whose birth had been announced to him by the Magi. In typical Matthean style, it is understood as the fulfillment of an Old Testament prophecy: "Then was fulfilled that which was spoken through Jeremiah the prophet, saying, 'A voice is heard in Ramah, mourning and great weeping, Rachel weeping for her children and refusing to be comforted, because her children are no more.'" The number of infants killed is not stated. The Holy Innocents have been claimed as martyrs for Christianity. More
A copy, circa 1800, after Leonard da Vinci's Last Supper, now in the Basilica of Santa Maria delle Grazie, Milan. More
After Leonardo da Vinci
THE LAST SUPPER
oil on copper, unframed
26.2 by 60.5 cm.; 10 1/4 by 23 3/4 in.
A copy, circa 1800, after Leonard da Vinci's Last Supper, now in the Basilica of Santa Maria delle Grazie, Milan. More
Venetian School, last quarter of the 15th century
MADONNA AND CHILD
oil on panel
50.3 by 37.8 cm.; 19 3/4 by 14 7/8 in.
51.5 by 39 cm.; 20 1/4 by 15 3/8 in. with extensions
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Follower of Sir Peter Paul Rubens
THE DECAPITATION OF SAINT JOHN THE BAPTIST
oil on oak panel
27.9 by 26.7 cm.; 11 by 10 1/2 in.
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Guy François
LE PUY, HAUTE-LOIRE CIRCA 1578 - 1650 LE PUY
MADONNA AND CHILD
oil on canvas
84.5 by 59 cm.; 33 1/4 by 24 1/4 in.
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Jacob Jordaens and Workshop
ANTWERP 1593 - 1678
THE FLIGHT INTO EGYPT
oil on canvas
80.5 by 115.5 cm.; 31 3/4 by 45 1/2 in.
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Studio of Francisco de Zurbarán
FUENTE DE CANTOS, BADAJOZ 1598 - 1664 MADRID
THE ENTOMBMENT OF SAINT CATHERINE ON MOUNT SINAI
oil on canvas
199.2 by 137 cm.; 78 1/2 by 53 7/8 in.
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Claudio Coello
MADRID 1642 - 1693
SAINT JOHN OF GOD (1495- 1550) WITH AN ANGEL
oil on canvas
104 by 83 cm.; 41 by 32 3/4 in.
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THE DECAPITATION OF SAINT JOHN THE BAPTIST
oil on oak panel
27.9 by 26.7 cm.; 11 by 10 1/2 in.
More
LE PUY, HAUTE-LOIRE CIRCA 1578 - 1650 LE PUY
MADONNA AND CHILD
oil on canvas
84.5 by 59 cm.; 33 1/4 by 24 1/4 in.
More
ANTWERP 1593 - 1678
THE FLIGHT INTO EGYPT
oil on canvas
80.5 by 115.5 cm.; 31 3/4 by 45 1/2 in.
More
FUENTE DE CANTOS, BADAJOZ 1598 - 1664 MADRID
THE ENTOMBMENT OF SAINT CATHERINE ON MOUNT SINAI
oil on canvas
199.2 by 137 cm.; 78 1/2 by 53 7/8 in.
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MADRID 1642 - 1693
SAINT JOHN OF GOD (1495- 1550) WITH AN ANGEL
oil on canvas
104 by 83 cm.; 41 by 32 3/4 in.
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John of God, O.H. (March 8, 1495 – March 8, 1550) (Spanish: Juan de Dios and Portuguese: João de Deus) was a Portuguese-born soldier turned health-care worker in Spain, whose followers later formed the Brothers Hospitallers of St. John of God, a worldwide Catholic religious institute dedicated to the care of the poor sick and those suffering from mental disorders. He has been declared a saint by the Catholic Church, and is considered one of Spain's leading religious figures. More
Saint Peter Nolasco (1189 – 6 May 1256), is a Catholic saint, born at Mas-des-Saintes-Puelles, Languedoc, today's France.
He was in Barcelona when as a teenager, became part of an army fighting the Moors in the Iberian peninsula, and was appointed tutor to the young king, James I of Aragon. In 1218 he formed a congregation of men that became the Royal and Military Order of Our Lady of Mercy of the Redemption of the Captives (the Mercedarians) with approval by Pope Gregory IX in 1230. More
Juan Antonio de Frias y Escalante
CORDOBA 1630 - 1669 MADRID
SAINT PETER NOLASCO CARRIED TO THE ALTAR BY ANGELS
signed lower right: ESCALAN / TE FAt.
oil on canvas
108.8 by 82.9 cm.; 42 3/4 by 32 5/8 in.
He was in Barcelona when as a teenager, became part of an army fighting the Moors in the Iberian peninsula, and was appointed tutor to the young king, James I of Aragon. In 1218 he formed a congregation of men that became the Royal and Military Order of Our Lady of Mercy of the Redemption of the Captives (the Mercedarians) with approval by Pope Gregory IX in 1230. More
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