Louis Debucourt Philibert after Carle Vernet
CHARGE OF MAMELOUK, c. 1802-04
Aquatints printed in colors
54 x 64 cm. ; 21 x 25 in.
Private collection
Private collection
Mamluk is an Arabic designation for slaves. The term is most commonly used to refer to non-muslim slave soldiers and Muslim rulers of slave origin.
The most enduring Mamluk realm was the knightly military caste in Egypt in the Middle Ages, which developed from the ranks of slave soldiers. The "mamluk phenomenon", as David Ayalon dubbed the creation of the specific warrior class, was of great political importance; for one thing, it endured for nearly 1000 years, from the ninth to the nineteenth centuries. More on the Mamluks
Philibert-Louis Debucourt, (13 February 1755 – 22 September 1832) was a French painter and engraver.
Debucourt's father-in-law was the sculptor Louis-Philippe Mouchy. In the marriage contract Mouchy generously offered to provide a three-room apartment at the Louvre, where Debucourt lived for twelve and a half years. The address of this apartment is often given on his prints.[4] Some of his work was satirical, such as La promenade publique, an aquatint of 1792 showing a crowd in the gardens the Palais-Royal. As well as work from his own designs, he made aquatints after Carle Vernet, including the Horse Frightened by a Lion, the Horse Frightened by Lightning and the Strayed Huntsman and the CHARGE OF MAMELOUK.
Debucourt was assisted for some years by his pupil and nephew, Jean-Pierre-Marie Jazet. He died at Belleville in 1832. More on Philibert-Louis Debucourt
Antoine Charles Horace Vernet aka. Carle Vernet (14 August 1758 – 17 November 1836) was a French painter born in Bordeaux. At the age of five, he showed an extraordinary passion for drawing horses, but went through the regular academical course as a pupil of his father and of Nicolas-Bernard Lépicié. Strangely, after winning the grand prix (1782), he seemed to lose interest in the profession, and his father had to recall him back from Rome to France to prevent him from entering a monastery.
In his Triumph of Aemilius Paulus, he broke with tradition and drew the horse with the forms he had learnt from nature in stables and riding-schools. His hunting-pieces, races, landscapes, and work as a lithographer were also very popular.
Carle's sister was executed by the guillotine during the Revolution. After this, he gave up art.
When he again began to produce under the French Directory (1795–1799), his style had changed radically. He started drawing in minute detail battles and campaigns to glorify Napoleon. His drawings of Napoleon's Italian campaign won acclaim as did the Battle of Marengo, and for his Morning of Austerlitz Napoleon awarded him the Legion of Honour, and Louis XVIII of France awarded him the Order of Saint Michael. Afterwards he excelled in hunting scenes and depictions of horses. More on Carle Vernet
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