01 Orientalist Painting, Henri Rousseau's The Hunt, with footnotes #111

Henri Rousseau, French, 1875 - 1933

The Hunt

Watercolor on paper

23.8 by 31.2cm., 9¼ by 12¼in.

Private collection

Sold for 9,450 GBP in March 2022

The hunting of wild animals for food, sport or for the defence of people and herds,was common in the ancient Near East, especially in early times.

The hunter’s pursuit of the quarry mirrors Fate’s pursuit of both humans and nonhumans and highlights the ambiguity of the encounter. With breathtaking descriptions of falcons, gazelles, and saluki gazehounds, the artist captures the drama and tension of the hunt...

Henri Rousseau Henry, Emilien Rousseau (Cairo 1875 - Aix-en-Provence in 1933) is an Orientalist painter. A pupil of Jean-Léon Gérôme at the Beaux Arts in Paris, he won the second Grand Prix de Rome in 1900 and a travel grant at the Salon of French Artists. He traveled to Belgium, the Netherlands, North Africa, Spain and Italy where he admired the great masters (Rubens, Rembrandt, Velasquez, Murillo, the Titian, Raphael etc ...)

After this initiatory journey, he settled in Versailles and set up his studio at the Villa des Arts in Paris. In 1919 he moved to Aix in Provence with his large family (seven children). Knight of the Legion of Honour in arts. His work is dedicated to Tunisia, Algeria and especially Morocco, Provence and the Camargue remained its anchor points. His success was with a bourgeois and wealthy clientele, where he sold his work at numerous exhibitions in Paris, Brussels, Stockholm, Marseilles. More Henri Rousseau

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01 Orientalist Painting, Georges Washington's A Mounted Warrior, with footnotes, #110

Georges Washington, French, 1827 - 1910

A Mounted Arab Warrior

Oil on canvas

81.3 by 65cm., 32 by 25½in.

Private collection

Sold for 75,600 GBP in March 2022

Historically, cavalry soldiers or warriors who fight mounted on horseback. Cavalry were the most mobile of the combat arms, operating as light cavalry in the roles of reconnaissance, screening, and skirmishing in many armies, or as heavy cavalry for decisive shock attacks in other armies. More on A Mounted Worrior

George Washington, born 15 September 1827 in Marseille and died November 19, 1901 in Douarnenez, was a French Orientalist painter. Like most aspiring artists, the young Georges Washington moved to Paris, where he trained at the Ecole des Beaux Arts under François-Edouard Picot (1786-1868). The artist’s exotic style was also indebted to Eugène Delacroix (1798-1863). Washington’s art conveys a similar feeling to the work of Eugène Fromentin (1820-76) who often painted naturalistic Middle Eastern scenes of rural and nomadic life. Washington’s love of the Middle East and its customs was further enhanced and encouraged by his father-in-law, the military and Orientalist painter Henri-Félix-Emmanuel Philippoteaux (1815-1884), whose daughter Anne-Léonie Philippoteaux married Washington in Paris on 6th August 1859.

Not long after finishing his training at the Ecole des Beaux Arts, Washington embarked on the first of a number of trips to Algeria and based on close observation of its inhabitants, their dress and customs in 1857 he made his Paris debut at the Salon des Artistes Français with a view of nomads titled Plaine du Hoiina (Sahara Algérien). From then up until 1901 Washington continued to be a popular exhibitor at the Salon; one of his first works shown there to gain critical acclaim was Nomades dans le Sahara en Hiver. In addition to Paris, Washington also showed his work in Moscow in 1881 and was later posthumously honoured when four of his paintings were included in the Exposition Coloniale de Marseille in 1906.

Following two commissions from a Belgian company, he travelled to Morocco and then subsequently visited Hungary, Bulgaria and Turkey, which were to inspire his varied subjects including battle scenes and cavalry skirmishes. His travels also took him to America for the unveiling in Philadelphia of a cyclorama (a monumental 360° panoramic view) of the Battle of Gettysburg by his brother-in-law Paul-Dominique Philippoteaux (1846-1923).

Following the death of his wife he retired to live with his daughter and son-in-law at Douarnenez on the Brittany coast, where he died shortly after on 19th November 1901. More George Washington

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01 Orientalist Painting, Eugène Fromentin's The Charge, with footnotes #109

Eugène Fromentin, French, 1820 - 1876

The Charge

Oil on canvas

60 by 42cm., 23½ by 16½in.

Private collection

Estimate at 30,000 - 50,000 GBP in March 2022

Fromentin made his first visit to Algeria secretly, in 1846, to attend a wedding. Returning twice to North Africa, he built a successful career as an Orientalist painter and was a frequent contributor to the Paris Salon. The vivid drama of The Charge is characteristic of Fromentin's later work, which often celebrates galloping horses. More on this painting

Eugène Fromentin (October 24, 1820 – August 27, 1876) was a French painter and writer, now better remembered for his writings. He was born in La Rochelle. After leaving school he studied for some years under Louis Cabat, the landscape painter. Fromentin was one of the earliest pictorial interpreters of Algeria, having been able, while quite young, to visit the land and people that suggested the subjects of most of his works, and to store his memory as well as his portfolio with the picturesque and characteristic details of North African life. In 1849, he was awarded a medal of the second class.

In 1852, he paid a second visit to Algeria, accompanying an archaeological mission, and then completed that minute study of the scenery of the country and of the habits of its people which enabled him to give to his after-work the realistic accuracy that comes from intimate knowledge. More on Eugène Fromentin

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01 Orientalist Painting, Jean-Joseph Benjamin-Constant's At Rest, with footnotes, #108

Jean-Joseph Benjamin-Constant, French, 1845 - 1902

At Rest

Oil on canvas

80 by 48.3cm., 31½ by 19in.

Private collection

Estimate at GBP 500 – GBP 1,000 in June 2023

Jean-Joseph Benjamin-Constant, born Jean-Joseph Constant (10 June 1845 – 26 May 1902), was a French painter and etcher best known for his Oriental subjects and portraits. He was born in Paris and studied at the Ecole des Beaux-Arts in Toulouse. A journey to Morocco in 1872 strongly influenced his early artistic development and lead him to produce Romantic scenes under the spell of Orientalism. He received a medal in 1876.

After 1880, he changed his manner, devoting himself to mural decorations. He was distinguished as a portrait painter, especially in England, where he was a favorite of the aristocracy. His portrait Mons fils André (Luxembourg) was awarded a medal of honor at the Salon in 1896.

He was made a member of the Institute in 1893, and was a commander of the Legion of Honor. He visited the United States several times, and painted a number of portraits. The Metropolitan Museum of Art in New York owns a large mural decoration by Benjamin-Constant entitled Justinian in Council.

He also was a writer of repute, contributing a number of studies on contemporary French painters. He died in Paris on 26 May 1902. More on Jean-Joseph Benjamin-Constant

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Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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01 Orientalist Painting, Elizabeth Rebecca Coffin's Old Falconer, Sheik of the Ziban, with footnotes #107

Elizabeth R. Coffin, American, 1850-1930

The Old Falconer of Ben Gana, Sheik of the Ziban, c. 1906

Oil on canvas

20 by 16 in.; 51 by 40.7 cm

Private collection

Sol for 100,800 USD on January 2022

Si Bouaziz-Ben-Ganah comes from a line of sheikhs el Arab , from the beylik of Constantine, since 1762. He was born in 1879 and died on June 17, 1945. It was Bachagha of the Zibans (region of oases at the gateway to the desert between the mountains of Zab and the Aurès whose main town is Biskra) in the time of French Algeria.

As sheikh el arab, his ancestors were among the main dignitaries and feudatories of the beys of Constantine. They were at the head of the Makhzen tribes, from the Dhouaouda confederation in particular. More on Ben Gana

Elizabeth Rebecca Coffin (1850–1930) was an American artist, educator and philanthropist who is known for her paintings of Nantucket, Massachusetts. Well-educated and accomplished, she was one of the "New Women" of the 19th century who explored opportunities not traditionally available to women. She was the first person in the United States to earn a Master of Fine Arts degree and was the first woman admitted to the Hague Academy of Fine Arts. She opened a school in Nantucket that had been only open to men and offered several types of trade and crafts work courses to both genders. More on Elizabeth Rebecca Coffin

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01 Orientalist Painting, Joaquín Miró's Arab Riders, with footnotes #106

Joaquìn Mirò (Spanish, 1849-1914)

Arab Riders

Oil on artist board

11 x 13 in. (27.9 x 33 cm.)

Private collection

Sold for USD 9,600 in April 2006

Joaquín Miró (Spanish, 1849–1914)  was a painter of figures, nudes, interior scenes, urban and rural landscapes and still lives. Miro studied at the School of Fine Art in Barcelona before travelling to Paris. At this stage Miro associated with the Montmartre artists. He was a friend of Théophile Steinlen and was attracted by the work of Picasso and Utrillo. Miro exhibited widely at the Autumn Salon in Paris, Liége and elsewhere. More on Joaquín Miró

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01 Orientalist Painting, Georges Bertin Scott's The Charge, with footnotes, #105

George Bertin Scott (French, 1873-1942)

The Charge, c. 1904

Oil on canvas

47 3/8 x 79¼ in. (120.5 x 201.1 cm.)

Private collection

Georges Bertin Scott (10 June 1873 – 10 January 1943) was a French war correspondent and illustrator for the French magazine L'Illustration during the early 20th century. His work was part of the painting event in the art competition at the 1928 Summer Olympics. He produced paintings of the Balkan Wars and the First World War, and also covered and illustrated scenes from the Spanish Civil War and the early Second World War. One of his works, an oil painting of his depicting King Constantine I of Greece during the Balkan Wars hangs in main entry hall of the Presidential Palace in Athens. In 1909 Scott married French singer Nelly Martyl, who served as a nurse during the First World War, and was awarded the Croix de Guerre. More on Georges Bertin Scott

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