01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 58

Louis Theodore Devilly Metz, 1818; Nancy, 1886, France

The fight of Sidi Brahim, c. 1859

Oil on canvas

H. 192.6; L. 266.7

Museum of Fine Arts, Bordeaux

The subject of this painting was borrowed from the retelling of the fight of Sidi-Brahim (September 26, 1845) written by the Duke of Aumale for the Revue des Deux-Mondes. "The captain of Gérés, at the head of 73 men of the 1st company of the 8th battalion of foot hunters, carrying seven wounded, after having defended for 3 days in the marabout of Sidi-Brahim, without food and without water, against all the forces of Abd-El-Kader, try on September 26, 1845, at six o'clock in the morning, to make a bayonet day.After a heroic fight, exhausted forces and ammunition, all the brave men who formed the little column fall successively around the corps of their officers, Lieutenant Chapedelaine and the captain of Géraux". More on this painting

Louis Theodore Devilly Metz, 1818; Nancy, 1886, France

Detail, The fight of Sidi Brahim, c. 1859

Oil on canvas

H. 192.6; L. 266.7

Museum of Fine Arts, Bordeaux

Louis Theodore Devilly (born in Metz the 28 October 1818 and died in Nancy the 24 December 1886 ) was a French painter of the xix th  century . Member of the School of Metz , he moved to Nancy in 1871 , after the annexation . He is the author of paintings of romantic inspiration, sometimes orientalist subjects .

Louis-Théodore Devilly was born in Metz on October 28, 1818 1 . His father, Louis-Jean-Baptiste (1792-1826), who was a notable Messinian, a member of the Royal Academy of Metz, died in 1826.

From 1833 to 1835, Louis-Théodore Devilly attended the classes of Laurent-Charles Maréchal , the leader of the School of Metz. He then wins Paris , where he became a student of the painter Paul Delaroche at the École des Beaux-Arts in Paris. Friend of Decamps, Aimé de Lemud , Diaz, Théophile Gautier, Devilly practiced the art of engraving and that of watercolor. He participated in the Salon of painting and sculpture of 1840 in Paris. He returned to Metz live his art in 1841. This did not prevent him to participate in other exhibitions, including at the 1852 Salon, where he received a silver medal. His contemporaries particularly appreciate his great realistic compositions, where his talents as a history painter can express himself fully.

In 1864, Louis-Théodore Devilly was appointed director of the Metz School of Fine Arts . After the Franco - German War of 1870 , Devilly opted for France and left his hometown, attached to the German Empire . He moved to Nancy, where he took the direction of the School of Fine Arts. After a busy career, Louis-Théodore Devilly died in Nancy on December 24 , 1886. More on Louis-Théodore Devilly

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01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 49

Pierre Gourdault, (1880 - 1915)

ARAB BATTLE SCENE, 1913

Oil on canvas

31 1/2 x 45 1/2 in

Private collection

Pierre Gourdault ( Paris , May 18, 1880 - Givenchy-le-Noble , January 5, 1915 ) was a French painter. He was the son of Peter and Leonie Marie Gourdault Fonsse; and was the husband of the artist Marie Anastasie Martin Prudence, better known under her stage name Marie-Gourdault Martin.

Gourdault was a student of Marcel-Andre Baschet and Schommer at the Ecole des Beaux-Arts in Paris. His participation in the Spanish-French exhibition in Zaragoza in 1908 contributed to the strengthening of the economic ties between the two countries. He was a member of the French Artists from 25 years. 

On two occasions he was a pathologist for the Prix ​​de Rome . Burial in the Deux-Sèvres was noted in 1910. In 1912 he won the National Award Salon with Walk on the beach.

He traveled to Tunisia in 1905-06 and then moved there in 1912.  It is this period that he painted Caravan in Wadi Gafsa , Sidi-bou Olives Sahib or Arabian riders .

He died of the consequences of his injuries during the First World War , in the military hospital of Givenchy-le-Noble. He was hit by shrapnel on December 28, 1914. His comrades wanted to carry a stretcher, he refused. He died eight days later, on January 5, 1915.

A solo exhibition of his works was presented in 1913 at the Salon Tunisien.  On April 11-30, 1919, a posthumous exhibition of his works was held, in which the President of the Republic went to the portrait the artist made (self-portrait as a Zeaaf ) on the edge of the frame he stuck the cross of the Legion of Honor at the edge of the frame. The Croix de Guerre. More on Pierre Gourdault 

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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Thank you for visiting my blog and also for liking its posts and pages