01 Orientalist Painting, Emmanuel de Dieundonné's Turkish Beauty with a Narguilé, with footnotes, #121

Emmanuel de Dieundonné (Swiss, 1845-1889)

A Turkish Beauty with a Narguilé, c. 1887

Oil on panel

27 x 41¾ in. (68.6 x106 cm.)

Private collection

A hookah; shisha, Narguilé, or waterpipe is a single- or multi-stemmed instrument for heating or vaporizing and then smoking either tobacco, flavored tobacco, or sometimes cannabis, hashish, and opium. The smoke is passed through a water basin—often glass-based—before inhalation. More on the Narguilé

As a young artist, Emmanuel de Dieudonné devoted himself to academic art, painting in the style of Alexandre Cabanel, under whom he studied at the École des Beaux-Arts in Paris. His later travels to the Middle East, notably to Turkey, inspired a renewed interest in Orientalist subjects, including portraits. Among the portraits he painted was that of the Turkish Orientalist painter Osman Hamdy Bey.

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

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02 Orientalist Paintings, Adolf Schreyer's The Chase, with footnotes, #120

Adolf Schreyer (German, 1828-1899)

The Chase

Oil on canvas

51½ x 32¼ in. (130.8 x 82 cm.)

Private collection

The Chase, depicts a group of Bedouin warriors in full gallop charging through the desert landscape. The rapidity and nervous quality of the brushstroke emphasizes the forward momentum of the riders; the vivid red cloak of the rider in the center identifying him as the leader. More on this painting

Adolf Schreyer (German, 1828-1899)

The Chase, c. 1863

Oil on canvas

44 x 67 1/3 in. (112 x 171 cm.)

Private collection

Adolf Schreyer (July 9, 1828 Frankfurt-am-Main – July 29, 1899 Kronberg im Taunus) was a German painter, associated with the Düsseldorf school of painting. He studied art, first at the Städel Institute in his native town, and then at Stuttgart and Munich. He painted many of his favourite subjects in his travels in the East. He first accompanied Maximilian Karl, 6th Prince of Thurn and Taxis through Hungary, Wallachia, Russia and Turkey; then, in 1854, he followed the Austrian army across the Wallachian frontier. In 1856 he went to Egypt and Syria, and in 1861 to Algiers. In 1862 he settled in Paris, but returned to Germany in 1870; and settled at Cronberg near Frankfurt, where he died.

Schreyer was, and is still, especially esteemed as a painter of horses, of peasant life in Wallachia and Moldavia, and of battle incidents. His work is remarkable for its excellent equine draughtsmanship, and for the artist's power of observation and forceful statement; and has found particular favour among French and American collectors. Of his battle-pictures there are two at the Schwerin Gallery, and others in the collection of Count Mensdorff-Pouilly and in the Raven Gallery, Berlin. More on Adolf Schreyer

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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Thank you for visiting my blog and also for liking its posts and pages.

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